In 1964 Drue Heinz made a gift to The Paris Review to enable a series of prints and posters by major contemporary artists at the magazine. Her hope was to encourage works in the print medium while providing financial support for the magazine. For her silkscreen contribution, Louise Nevelson combined photographs of a sculpture into cubic form, suggesting the possibility of the sculpture in two dimensions.
Louise Nevelson, b. 1899 - d. 1988, was an American sculptor.
Edition of 150
Signed and numbered
42 × 28 inches framed